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Interview with Alex Nesterov from "Wine From Tears".



"Wine from Tears" is a Doom Metal band from Russia. After their 2 releases, they're planning to record another album soon! I asked the guitarist/vocalist and founder of the band a few questions about their music, releases, and news!

  1. Let's start with a brief history of the band.

Well, the band was founded in 2002. I was a schoolboy, and my schoolmate told me there's a guy who loves doom metal as much as I do and wants to play it in a band. We met, and that was the beginning. My schoolmate took bass, and his friend took drums. Then we found a keyboard player who was a girl. Over the years, people were replaced. Nowadays, we are what we are.

  1. Tell me more about the new album and where did the recording take place?

The new CD is all about death, the feelings and thoughts about it. It was recorded at "Nosorog rec" in our city by our friend Michael.

  1. What do the lyrics deal with?

The lyrics deal with my inner feelings about "what is death for us?"

  1. Who made the artwork and does it connect with the lyrics?

The same author as the first album. And yes, it is strongly connected with our lyrics.

  1. What makes "Glad To Be Dead" different from "Through The Eyes Of A Mad"?

The first CD consists of the songs that were made from 2000 till 2009. The second album consists of new songs except "the light at the end of the world"; it was made in 2001.

  1. Is there any place the band hasn't toured yet that you would personally love to go to?

We'd love to play everywhere in the USA and Europe. Maybe some European festivals like OzzFest, Tuska, Rock'am'ring. We're open for everyone.

  1. Tell me more about your upcoming events and your plans for the future!

We're going to record the third CD soon. 21 September we're playing with "Saturnus" in Moscow.

  1. What do you think about illegal music downloads?

It's not good.

  1. Anything else you would like to add?

Thank you for attention to us. If you want to see us somewhere just invite us by emails.







Check out the band here.


Solacide - Waves Of Hate ~ EP review






Finnish metal bands are always special and original. In Lahti, a death/black metal band called SOLACIDE (formerly Dim Moonlight) has emerged. The band consists of five members: Gökhan Korkmaz (Lead Vocalist), Kimmo Korhonen (Lead Guitar, Vocals & Synth), Joonas Vanhalakka (Guitar), Sami Tikkanen (Bass), and Matti Jauhola (Drums).

After releasing four demos—"…To Tranquility" and "Pleasure of Existence" as Dim Moonlight, and "Waves of Hate" and "Baptized in Disgust" after changing the band's name—they are now presenting their new EP "Waves of Hate," which will be released on September 2, 2013.

Track Analysis of "Waves of Hate" EP

This EP contains five tracks: three songs and two live recordings.

  1. Waves of Hate
    The EP's title track opens with a melodic intro before diving into a world of hate, rage, revolt, and revenge. Fast drums and powerful grunts characterize this track, making it a perfect opening song for the EP.

  2. Your Worst Enemy
    This song has a blackened edge and serves as a psychoanalysis of a person who is "blind" and lost in their thoughts. The song explores the idea that this person is their own enemy. The philosophical depth and the riffs create an atmosphere of introspection and discovery.

  3. After the Fall
    This track features a mix of Gökhan's grunting and Kimmo's clean vocals. It deals with philosophical questions about the future, its connection with the past, and whether one will face another day. The song ends with an unresolved question, reflecting a sense of wonder and worry that is echoed in the solo.

  4. God on Fire (Live)
    This live track from "Baptized in Disgust" showcases the band's technical skill and stage presence.

  5. Nothing Weak Survives (Live)
    Another live track, this one from "Pleasure of Existence," also highlights the band's live performance prowess.

Overall Impressions

The formula of "Waves of Hate" is simple yet powerful, with epic riffs, solos, and melodies. The cover art is simple, but the music's awesomeness lies in its execution. Each song addresses different topics, all revolving around themes of hate and rage. The lyrics complement the music perfectly, enhancing the depth of each track.

This EP does not get boring; you can listen to it multiple times without feeling weary. Such mastery is typical of Finnish metal, and Solacide has proven their worth with this release.

I believe this band deserves more recognition. They are full of power and have so much to offer. Solacide should not go unnoticed; they are definitely a band to watch.


Check out the band here.


                                    Rating : 7,5/10



Interview with Matt Klavins from "Ne Obliviscaris".


Ne Obliviscaris is a progressive metal band from Australia. I had the chance to interview Matt Klavins, the guitarist of the band, about their news, tours, and journey.

1. Let's start with a brief history of the band.

Haha, brief… Ne Obliviscaris was founded by Xenoyr, who quickly joined forces with Tim Charles after meeting on a forum. There were a few different guitarists back then, and then I finally joined in early 2004. Looking back now, I laugh because I nearly didn't go to the audition. It just shows that you should take whatever opportunities come your way! Shortly after, we recruited Corey King and Brendan Brown.

In 2005, our songs were starting to take shape, and we began to talk seriously about the band, what we could achieve, and what commitment was needed. On that note, our then-drummer Corey Baker stepped aside. We auditioned a few drummers, and then Brendan said he had a friend who had just started playing drums and was progressing quickly. We auditioned Dan Presland. He hadn't been playing drums for more than a year but showed real potential. We could see that if he kept up the hard work, he could be a phenomenal drummer. Dan went on to claim the title of ‘Australia’s fastest drummer in 2006’.

This was the same year we first hit the live scene after numerous setbacks, lineup changes, and other life-changing events. We got to play with some of our favorite local bands and played our first show alongside Be’lakor. In 2007, we felt we were ready to record and went into the studio with Endel Rivers to record ‘The Aurora Veil’. We were all shocked by the reviews and the fantastic exposure!

This threw us into the underground spotlight, and it paid off when we got to support Suffocation. Then we got an offer to support Nevermore, which was canceled, but we got to play the last Metal for the Brain festival instead, which was amazing. Just as we felt we were on a roll and ready to record our first album, Corey King quit the band due to personal differences, among other things. We nearly gave up but decided to stick it out for a bit. We felt there was too much potential in the band to just give up. We continued writing songs such as "Xenoflux" and "Plague" during our search for another guitarist. After countless auditions, we began to look overseas and in 2008, nine months after we started auditions, we found Benji Baret in France. He was amazing. Everything he played was brilliant. We arranged for him to come to Australia and taught him the songs, getting ready to hit the live scene again. We played a lot of shows all around Australia, and then in 2010/11, we recorded ‘Portal of I’ with Troy McCosker at Pony Music in Melbourne.

Just as we felt everything was going to plan, we were hit with another setback. While Benji was back in France visiting family, his Australian visa was canceled. He was stuck in France, and we had no lead guitarist again. We applied for another visa, which was denied. This started our petition to get him back into the country, which, after 15 months and with the support of our fans, other bands, and industry heavyweights, we won our appeal! Benji came back to Australia, we released our album, and toured Australia extensively. Dan had left the band briefly and did not play the initial album tour, so we had Nelson Barnes from The Schoenberg Automaton for those shows. It’s definitely been nice to get Dan back and start looking ahead to our next album, though.

2. How did you come up with the band name?

Xenoyr came up with the band name, and the band was named before I joined.

3. How do you describe your music, especially considering Ne Obliviscaris is one of the few bands with a violinist?

Progressive metal is the best description, I guess. We use so many different styles and subgenres in our music that it's genuinely hard to describe our sound to people. Our main elements are Prog and Death, but we also incorporate Classical and Black metal.

4. What are your songs mainly about?

Life. The meanings are up to your interpretation of the song. One thing about Xenoyr’s lyrics is that they aren't so in your face and straightforward. They can mean different things to different people depending on how you interpret each song. We prefer you to make up your own mind.

5. Is there any other kind of music that inspires you?

It depends on my mood. Recently, bands in my playlists have been Animals as Leaders and Devin Townsend. While bands that are different and ‘out there’ can inspire new ideas and ways of playing, sometimes just listening to straightforward music can be therapeutic or spark a new concept.

6. You're now recording a new album. Can you tell us a bit about it and its release?

We are really looking forward to this release. We feel that we have matured as musicians this time around and can’t wait to add the new songs to our live set. We will be recording the new album at Pony Studios again with Troy McCosker. Studio time has been booked for the end of the year, and the album will be released mid-2014 through our new label, Season of Mist.

7. What makes it different from the first?

We feel we are much stronger players than when we wrote the songs on 'Portal of I.' Benji really gets to shine on this album as well. The songs aren't finished yet, though. They won’t be 100% finished until they are tracked. We are constantly changing and improvising on the basic song structure until we feel we have the best we can get out of the song.

8. What is the writing process?

This really differs from song to song, as we don’t have a set songwriting process. 'Portal of I' was mainly composed of expanding ideas on one riff that someone came up with, and we just went on the journey to see where we ended up. This time around, Benji has a lot of ideas that have been pent up since recording the last album. I don’t think anyone could ever bring in a full song without it being completely ripped to pieces and put back together in a Frankenstein form of its original.

9. And finally, tell us more about your upcoming events and your hopes for the near future.

We are off to Asia in August for a string of headline shows in Japan, China, Hong Kong, Taiwan, and Thailand. When we return, we will be knuckling down doing pre-production for the new album and starting to finalize leads and solos. We will take a couple of months off at the beginning of the year during the mixing process, and then once the album is out, we hope to tour Australia again along with Europe, the USA, and more!



Dyscordia - Twin Symbiosis ~ Album review



"Dyscordia" is a newcomer in the progressive/melodic metal world from Belgium. The band consists of six members: lead vocalist Piet Overstijns, guitarists Stefan Sergers, Martijn Debonnet, and Guy Commeece, bassist Wouter Nottebaert, and drummer Wouter Debonnet. Stefan, Wouter N., and Martijn Debonnet also contribute to the vocals, giving the band a very distinctive sound.

After releasing their first EP in 2010, Dyscordia is back with their first full album, "Twin Symbiosis," which contains eleven songs. The first things that attracted me to this album are the name and the cover. The name, "Twin Symbiosis," is profound, and its depth is reflected in the album's artwork. The mysterious colors and the image of a man walking with a soul make you want to open the CD and start listening immediately.

The album starts with an intro called "Dreamcatcher Tree," featuring suave notes that transport you to a dreamland and ending with a haunting atmosphere. Directly after, the progressive and melodic metal kicks in with "The Empty Room." After enjoying the awesome riffs, melodies, solos, and emotions of the first four songs, you start feeling the presence of heavy and power metal, especially in tracks like "The Loser's Game," "Twin Symbiosis," which represents the concept of the album, and "Locked Within." The final song, "My Devotion," in my opinion, is the best way to end this album. It concludes with notes that connect back to the intro, likely making you want to replay it again!

This album is very unique and might satisfy fans of progressive, melodic, heavy, and power metal. They use a mix of growl/grunt and clean vocals, along with a noticeable background voice that adds a "horror" touch to the themes. There's a story behind every song, and the lyrics fit well with the music and melodies, creating a connection between the songs. The album combines joy and sorrow, optimism and pessimism, which you can feel from the sound of the drums, the depth of the riffs, the melody of the intros, and the epic solos. It's an atmospheric album full of emotions; it’s like a vast, mysterious river.

This is their first album, and I'm sure that Dyscordia still has much more to offer and a lot of power to unleash.


Check out the band here .


                                    Rating : 7/10




Carach Angren - Where The Corpses Sink Forever ~ Album review


We can't talk about symphonic black metal without mentioning the Dutch band Carach Angren. This band quickly carved out a place for itself in the black metal scene. However, Carach Angren is not like all the other black metal bands you know. They have a very special touch in their music, themes, lyrics, quality, and even in their cover art!

After their two successful albums "Death Came Through a Phantom Ship" and "Lammendam," they released their third one, "Where the Corpses Sink Forever," on May 18, 2012. Unlike the previous albums, which focused on Dutch legends, this time the theme is war. You start feeling and experiencing this topic as soon as you press play.

The album begins with a terrifying orchestral intro that tells the story of seven prisoners who are about to be executed, and we learn their stories in the subsequent songs. In that intro, we can hear all seven shots. Immediately after, we start tasting black metal as "Lingering in an Imprint Haunting" begins. There’s symphonic and orchestral music in every song, without deviating from the black metal form. The strong growls and grunts, the riffs, and the drums all enhance the storytelling. This creates an immersive experience where you live through the war and massacre, feeling the tragedy throughout the album. It culminates in the last song, "These Fields Are Lurking (Seven Pairs of Demon Eyes)," where we discover that the prisoners were actually ghosts who took the soldier's soul, making him suffer for eternity. The song ends with piano and rain sounds, enhancing the atmosphere of panic, sorrow, and destruction, transporting you back to the era of the world wars.

Like their previous albums, the quality is high, unlike many black metal albums. This is what attracted me to their releases. The cover art also caught my attention. It's not often that we see an awesome cover featuring the band's picture, but this one has a special touch. I think the specialty lies in their epic corpse paints!

"Where the Corpses Sink Forever," like all Carach Angren's albums, is exceptional. It could be admired by non-black metal fans as well as satisfy black metal listeners. If Carach Angren ranks now as one of the best symphonic black metal bands, they truly deserve it because this is an awesome album with deep meaning.



                                    Rating : 8,5/10